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The Force of Gauge
The Most Difficult Act in all of Sports

 

...the 1962 world championship was finally determined by an otherwise perfect swing of a bat which came to the collision 1 mm too high to effect the transfer of title.

--Dr. Paul Kirkpatrick, "Batting the Ball," Am.J. of Physics, 1963

Hitting a baseball has been described as the single most difficult feat in sports.  And for good reason.  Imagine the quality of hand-eye coordination required to make contact with a little white sphere traveling at over 95 miles per hour, using a 2 ¾ inch wide piece of wood being swung at over sixty miles per hour.  Consider the intense concentration.  A batter standing just 56 feet from the pitcher's hand has only about 45/100's of a second to decide if he'll swing, predict where the ball will be, instruct his muscles to move, and bring the bat to a point of impact.  If all goes well, the bat and ball rendezvous a few inches in front of the plate.  The ball is crushed to half its diameter, springs back, and is launched on its return flight at speeds close to a hundred miles per hour.  Timing is essential.  The difference between a hit over second base and a foul near first or third is a swing mistimed by 0.01 second.  Baseball is the only sport where being a failure seven out of ten times is considered to be outstanding - only about a dozen players in each major league bat .300 annually.  A basketball center who sank only 30 percent of his baskets or a quarterback who hit his receivers only 30 percent of the time would be selling insurance instead.

Bat Speed

With these kinds of odds working against a hitter, it's no wonder batters will try anything to increase their chances of making solid contact with the ball.  Some pray.  Others choke up on the bat.  But no matter what the technique, the aim is the same: bat speed and control.  Bat speed is to a hitter what hamburgers are to McDonald's; a batter lives or dies by how fast he can whip that bat around.  A hitter knows that to make contact with a blazing fast ball or to follow a sweeping curve, he has to be able to move his bat quickly.  For wood to meet leather, a hitter must be able to accelerate his bat from its parked position near his ear and drop it quickly down to the strike zone near his waist, all in just a fraction of a second.  And the bat must be moving fast enough at the moment of impact to drive the ball out of the infield or out of the ballpark.  Bat speed is the essential, because as any physicist will tell you, the faster the bat is moving, the more energy is imparted to the ball.  Old-timers used to swing very heavy bats, thinking that by swinging a heavy club they could knock the ball farther.  Babe Ruth's bat weighed a hefty 42 ounces.  He once used a 52-ounce bat.  He was able to whip his bat around because of his exceptional strength.  But in the past thirty years, ball players have discovered that bat weight is not as important as bat speed.  A medium-size bat is already six times the weight of the ball.  Making it seven times heavier will hardly influence how much momentum is transferred to the ball.  But it will slow down your swing considerably.

How is bat speed increased?  Watch the leadoff hitters, the small guys who must get on base so the power hitters can drive them in.  Lead-off hitters need to be able to bunt, punch they ball to the opposite field, or find the "holes" in the infield, anything to yield a hit.   That means the need excellent bat control, and good bat speed.  These table-setters are very fast but not usually very big.  How do they compensate?  By "choking up" on the bat - sliding their hands higher up on the handle.  When the thick end of the bat is brought closer to the body, the bat becomes easier to swing.  Great hitters know, intuitively, that by choking up on the bat they can swing faster and hit the fast ball they might otherwise foul off.  Not many of them know the principles of physics that explain why their techniques are successful.

Swinging a Bat like a Sledgehammer

The principles used by a baseball player are the same ones a woodsman uses to swing an ax or a sledge hammer.  The useful weight of a bat, like the head of a hammer, ax or golf club, is concentrated in one spot: at the point of impact.  The farther your hands are from that point, the more difficult it is to lift and control the weight.  Your wrists may wiggle just a few inches, but the weighted end of the bat or club will waggle many feet in response.  In effect, the shaft is really a long lever magnifying your hand movements and exaggerating the weighted end of the rod.  That's why it's much easier to pick up a sledgehammer by its head than to grab it by the end of the handle.  Golfers get lots more control from short irons than from long, driving clubs.  The same is true of a bat.  Shorten the effective length by choking up and you get better control of the weighted business end.

But there's a problem.  A short bat is not long enough to reach those fast balls on the outside of the plate.  A more permanent solution is to use a lighter bat.  When he broke Babe Ruth's lifetime home run record, Hank Aaron's Louisville Slugger weighed only 32 ozs.  Roger Maris favored a light bat in hitting his historic 61st homer.  Today's young players moving up through the ranks in high school and the minor leagues use bats as light as 28 ozs.  What makes a bat light?  Less wood.  Since most of the wood is concentrated on the fat end of the bat, most bats are lightened by thinning the handles and hollowing out the ends.  These days, unfortunately, lots of ballplayers are breaking their skinny-handled bats and blaming the bat companies for defective lumber.  These hitters claim that bats are being made with younger, inferior wood, or from trees that have grown too quickly.  But batmakers say the wood hasn't changed.  It's still the same northern ash used 102 years ago.  If the bat handles are getting "sawed off" in players' hands or shattering into splinters, it's because players are ordering bats too thin to withstand the impact of a 90 mile-per-hour fast ball.

The Five-Hundred-Dollar Bat

What can be done to solve this problem?  The answer is to make the bats out of something other than wood, a lightweight material like aluminum.  Today aluminum bats are standard equipment in every ball club except those in the major leagues.  The official explanation is that major-league baseball fears for the life of the pitcher.  As it stands now, a pitcher has just enough reaction time to get out of the way of a wicked line drive or to put up his glove to protect himself.  But a lighter, faster aluminum bat would increase the speed of the ball enough to overcome that margin of safety.  Some pitchers might get killed or have their careers ended if hit in the head or the elbow.  Willie Stargell, the great Pirates hitter, was afraid of killing the fans in the stands who wouldn't have enough time to evade a line drive fouled off an aluminum bat.

Of course, the unofficial reason is that an aluminum bat would upset all the baseball statistics accumulated over the past hundred years, making objective comparisons between players' performances impossible.

Major leagues aside, the wonderful world of bats is not limited to just wood and metal.  New space age metals and composite plastics are finding their way into baseball bats.  Thousands of amateur baseball and softball players are now using a bat made of graphite, glass, and plastic, the same stuff used to make high-performance airplane wings.  Made by the Worth Bat Company in Tullahoma, Tennessee, the composite bats are lighter and stronger than wood, sound more like wood than metal on impact (no aluminum "ping"), and have a "sweet spot" two or three times larger than a wood bat has.  The bats are pricey, costing $55.00 to $90.00, but they may last a lifetime.  Worth's Harold Becklin claims the bats, under normal use, are almost indestructible.  But that's not all.  The hitters of tomorrow will be able to choose their bats to fit the hitting situation much like golfers choose their clubs for each shot.  Composite bats can be tailor-made to enlarge or deaden the sweet spot.  Some bats, like golf woods, will be tuned to hit the long ball.  Others can be designed like short golf irons for cheap hits that trickle past scampering infielders.

While searching for the perfect bat material, engineers have experimented with everything from Fiberglas to bamboo to magnesium.  But there are limits inherent in each material.  The latest fiber-imbedded, space age metals, for example, cost upward of $300.00 per pound.  With each bat requiring a pound and a half of raw material for construction, the price of these bats (not including manufacturing costs) is beyond even the most diehard Sunday softballer.

Center of Percussion

There is something that can be done to make the best use of the bat you have now, and that is to find the best place on the bat to hit the ball, the sweet spot.  There are two sweet spots, possibly three, depending upon whom you ask.  The first sweet spot is called the center of percussion.  It is the place on the bat where the initial jar to your hands is at a minimum when you hit the ball.  It's the place where you feel a "solid" hit has been made.  If a ball strikes a bat above or below this point, the bat will try to swing around it.  The result:  The impact of the ball will try to rip the bat from your hands.  The center of percussion is not ingrained in the wood (or aluminum) of the bat but moves around depending on where you fix your hands.  For an aluminum softball bat about 32 inches long, the center of percussion is about 6.5 inches from the fat end of the bat.

No Sting

Ever wonder why your hands "sting" when you hit the ball?  That's because you've hit the ball on the wrong place on the bat.  The second sweet spot is the point on the bat where your hands sting the least when bat meets ball.  Not to be confused with the center of percussion, the "node" is the spot where a hit will cause no lasting vibration.  This point is about a quarter of the length from the fat end of the bat.  To find the node, hold the bat by two fingers about six inches from the knob and hit the bat at various points.

The bat will ring at each point of impact until you hit the node.  The farther away from the node that you hit the bat, the louder the ringing will be.  Aluminum bats ring a great deal more; that's why they sting your hands more often.

Fastest Rebound Speed

The existence of a third sweet spot is being hotly debated by sports physicists.  This is the point on the bat that, when struck, will transfer most of the energy from the bat to the ball - in other words, the spot where the speed of the rebounding baseball is at a maximum.  Many sports physicists, such as Dr. Larry Noble of Kansas State University in Manhattan, Kansas, place that point at the center of percussion.  Dr. Howard Brody, a physicist at the University of Pennsylvania in Philadelphia, disagrees.  Brody says this sweet spot - the impact point - is not at the center of percussion but at a spot closer to the handle than the other sweet spots on the bat.  This location, however, moves around depending on the speed of the thrown ball, the weight of the bat, and how "wristy" the swing is - that is, whether the arms and shoulders or the wrists of the player are more involved.  Without getting into complicated mathematics to prove his point, Brody suggests that to give the ball maximum rebound velocity you should try the following:

 

            1.            Hit a fast pitch closer to your hands for maximum power.  Hitting a slow                              pitch farther out on your bat gets best results.

 

2.         When playing hardball, where the weight of the bat is much greater in proportion to the weight of the ball, hit the ball father out on the bat.  In softball, hit the ball closer to your hands.

 

            Sunday softballers can decide for themselves from their own experience

whether or not the third sweet spot exists. 

 

..............................................................   TRIVIA:  A baseball spends one-thousandth of a second in contact with the bat. 

           

            To get the strongest part of the wood on the ball, the bat should be held with the trademark up (toward the sky).  The trademark is branded onto the flat growth rings.  Since the growth rings are the strongest part of the wood, it's best for the ball to hit the rings on edge.  But Hall of Fame catcher Yogi Berra refused to turn the label up.  Saying, "I don't come up to read but to hit," Yogi always turned his label to the pitcher.  Yogi broke lots of bats. 

....

 

            Debate about the Ball: Does it Really Curve?

 

            A fast ball is not the most difficult pitch to hit.  Lots of players make a living hitting good, major-league fast balls.  The pitches that give most batters a problem are breaking pitches: curves, sliders, and split-fingered fast balls.  Baseball veterans often say they knew they had to retire from the game when they couldn't hit the curve balls anymore. These baseballs don't overpower batters like blazing fast balls; they hamstring players who helplessly watch them dance across the plate - hooking, tailing, dropping, and twisting in such unbelievable ways that some batters are convinced the sharp drop of a curve ball is really an optical illusion or the result of the illegal use of sandpaper to scuff up the ball.  Batters would like to believe that no human being could be talented enough to cause a leather-covered, five-ounce sphere to follow such an erratic course.  It just ain't natural.  The curve-ball controversy has been debated so intensely that in 1941, Life and Look  magazines took stop-action photographs of curve balls to determine if the baseballs really did curve.  Life concluded the "evidence fails to show the existence of a curve," while Look discovered just the opposite: The ball did curve.  Even as recently as 1982, Science magazine commissioned scientists at General Motors and MIT to conduct a modern scientific investigation into the question, and once again stop-action photography was employed to show that a curve ball's curve is not an optical illusion but is based upon sound laws of physics.